Date:
29.3.24
Friday
Hour: 10:00

Exhibition opening and gallery talk | Chen Flamenbaum, Lee Yanor, Carmi Dror, Lihi Turjeman

Exhibition opening and unique encounter with artists who have been part of the Weizmann Institute’s ‘Artist Residency’ program, by The Braginsky Center for the Interface between Science and the Humanities. The artists met with scientists, staff, and students, who together discovered common areas of interest, and gave inspiration to one another.
The artists’ works will be on display from 10:00 in three nearby locations: Sela Auditorium, David Lopatie Conference Centre situated opposite, and the Old water tower, located behind the auditorium, up Jubilee walk (next to Ebner Auditorium).

 

Exhibits:
Lee Yanor | Video Installation | David Lopatie Conference Centre 
Lihi Turjeman | Illustrations, Carmi Dror | Video Stills | Michael Sela Auditorium
Chen Flamenbaum | Art Installation | The Studio, at the old water tower next to the Dolfi and Lola Ebner Auditorium

10:00: Exhibition opening
11:30: Gallery talk about the artworks and the dialog between art and science, moderated by curator Yivsam Azgad, in the Michael Sela Auditorium.

 

Exhibitions will be on display until 19.4.24.
Lopatie Conference Center and the Studio: Sunday-Thursday, visiting hours 09:00-15:00
Michael Sela Auditorium: approximately 1 hour before the events.

Under the auspices of The Braginsky Center for the Interface between Science and the Humanities.

Entry is free
 

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Date:
24.2
Monday
Hour: 20:00

The Property | Screening and dialog with Dana Modan

A journey full of secrets and deceptions, which begins with real estate issues but actually devotes itself to matters of the heart, in Dana Modan’s first film as director, based on a graphic novel with family autobiographical elements, written and illustrated by her sister, Rutu Modan.



Regina and her granddaughter Mika embark on a journey to Poland to reclaim their family property seized during World War II. 
But their quest quickly unravels. Regina unexpectedly decides to abandon the mission entirely, leaving Mika lost and confused. 
To complicate matters further, an irritating distant relative keeps appearing at every turn. Just as Mika finds herself falling for a charming tour guide, Regina seizes the opportunity to pursue her own hidden agenda: finding her long-lost love, from whom she was separated seventy years ago.

 

The Property’ blends the different and similar characteristics of the Modan sisters as creators, and echoes their previous works: on the one hand, the pull to an ironic gaze and to comic situations steeped in black humor, evident in the television series created by Dana (‘Love Hurts’, ‘Significant Other’, ‘Aviram Katz’), and on the other hand, a dreamy-melancholic atmosphere that characterizes Rutu’s stories and illustrations. Cinematographer Yaron Scharf does a good job of translating the visual perspective of the illustrator Modan into film, and also of capturing Warsaw in a way that blurs its past and its present into a uniform, theatrical time, which well serves the journey that the grandmother and granddaughter take down memory lane.” (Shani Litman, Haaretz)
 

StageTalk Following the screening, a conversation with the film director Dana Modan

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