Lotus Tickets:
Date:
1.2.25
Saturday
Hour: 11:00

The Colour of Ink | Brian D. Johnson

The screening of the film "The Color of Ink" has been postponed by a day, from Friday morning, January 31st, to the following day, Saturday, February 1st, at 11:00 AM.

 

Ink is our primordial medium – it has recorded the evolution of humanity. The film ‘The Color of Ink’ is a poetic and chemical journey, revealing the mystery and power of the medium through the eyes of Jason Logan, a visionary ink maker. Working with ingredients he collects in nature – weeds, berries, tree bark, flowers, rocks, rust – he makes ink from almost anything and sends custom-ordered inks to an eclectic range of artists around the world, from a New York caricaturist to a Japanese calligrapher whose work is a stirring blend of words, illustration, ink and movement. He also visits some of them, such as an artist who creates ochre colors from rocks, or indigenous artists who make red color from beetles in Mexico (he sends the red ink he produces to Margaret Atwood, creator of "The Handmaid's Tale", who draws women in red dresses for him). When the ink and the colors he sent take on a life of their own, his playful alchemy paints a story of color that reconnects us to the earth and returns us to a childlike sense of wonder. A film that delights in the sensuality of ink, in the way it is absorbed by paper, mixes with other colors, influences them, seeps into them, arouses a passion for chemistry, or alchemy and above all, it is a song of praise for craft, for deliberateness, for wonderful control of materials, for the simplicity of creation and life.

 

The film joins a common movement that is growing worldwide, to revive analog media and natural paint, not only as a nostalgic act – in a digital age, when the line between truth and lies has become so slippery, there is a yearning for the indelible substance of ink and the tangible connection of the language of handicraft. Throughout civilization, ink has remained our most enduring documentation, a fossilized human consciousness. And in its quick radiance, one can discover the magic of a medium that still binds us like nothing else – a stamp of authenticity in an age of binary code. 


Director: Brian D. Johnson


Canada 2022 | 105 Minutes | English Japanese and Spanish | Hebrew subtitles 
 

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Date:
20.3
Friday
Hour: 11:00

The Dawn of Impressionism: Paris, 1874

The Impressionists are the most popular group in art history - millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything; the first Impressionists, “hungry for independence”, broke the mould by holding their own exhibition outside official channels. Impressionism was born and the art world was changed forever. 
What led to that first groundbreaking show 150 years ago? Who were the maverick personalities that wielded their brushes in such a radical and provocative way? The spectacular Musée d’Orsay exhibition brings fresh eyes to this extraordinary tale of passion and rebellion. The story is told not by historians and curators but in the words of those who witnessed the dawn of Impressionism: the artists, press and people of Paris, 1874. See the show that changed everything on the big screen.


The Impressionists, once scorned and penniless, revolutionized art with their 1874 exhibition, which took place outside official channels. This film explores the passion and rebellion behind their groundbreaking work, told through the words of artists, the press, and the people of Paris, 150 years ago. Experience the exhibition that changed everything.


Director: Ali Ray


United Kingdom 2025 | 90 min. | English | Hebrew subtitles 

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Date:
16.3
Monday
Hour: 20:00

Illusion: The Placebo Effect and Illusions as an Active Ingredient, a meeting with Prof. Asya Rolls

The second meeting in a new series – dialogues with researchers who have written essays on various aspects of illusion in their fields of research, as appeared in the 2026 edition of ‘Poetry of Science’, a periodical published once a year concurrently with the Weizmann Institute’s annual Ofer Lider prize for encouraging creative writing among scientists award ceremony. The editor of ‘Poetry of Science’ is Idan Barir, a translator of poetry and prose from Portuguese, Arabic, English, and Turkish.


The neural networks involved in positive expectations, those that incite a sense of hope, satisfaction, and motivation, are not limited to the mental realm. They influence the entire body, activate the immune system, and stimulate healing processes. Placebos, in this sense, serve as a portal to understanding the power of the brain to shape a physiological reality – how thought or faith can stimulate actual biological mechanisms.” (Prof. Asya Rolls)


The placebo effect is a phenomenon in which a patient receives a sham treatment, but the brain and the immune system are stimulated into performing an actual healing process. 


Prof. Asya Rolls in a dialogue with Idan Barir, on the potential of understanding the relationship between body and soul, the extent to which physical reality can be based on illusions created in the brain, and the role of faith and hope in the healing process.
Prof. Asya Rolls – Researcher at the School for Neurobiology, Biochemistry, and Biophysics at Tel Aviv University’s Life Sciences Faculty.

 

Sponsored by the Berginsky Center for the Interface between Science and Humanities
 


Schedule:
16/2 Travels to the Past as Deceptive Illusion, with Prof. Avner Wishnitzer
16/3 The Placebo Effect, with Prof. Asya Rolls
18/5 The Psychedelic Renaissance, with Prof. Shaul Lev-Ran

 

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