Date:
9.12.24
Monday
Hour: 18:30

The Hackuarium: Strange Loops | Neta Moses

The 'Hackuarium,' the digital art and poetry lab situated in the lobby of the Michael Sela Auditorium, begins this year's exhibition program with a video work by media artist and computer scientist, Neta Moses.
Based in Jerusalem, Moses is a celebrated graduate of the multidisciplinary program in computer science and screen arts at the Hebrew University of Jerusalem and the Bezalel Academy of Art and Design. She is currently at a long-term artist residency at the Artists' Studios in Jerusalem while also contributing to neuro-research of decision-making processes at Tel Aviv University.
Netta’s works include video installations, performance, short films and lecture performances. She has gained recognition in exhibitions and film festivals both in Israel and internationally. Her short film “How To Be Alone” won the Experimental Cinema and Video Art competition at the Jerusalem Film Festival (2021). 
She was awarded the CLEVER scholarship for creative leadership from the EU, and the scholarship for excellence in video-art studies from the America-Israel Cultural Foundation. Her solo exhibition “Tears Become Rain” was recently on show this year at the Artists’ Studio gallery in Jerusalem.
The launch event will feature a joint viewing and conversation between the artist and the project curator, poet Alex Ben-Ari. 
Duration: approximately 45 minutes. 
Admission is free.
 

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Date:
26.2
Thursday
Hour: 20:00

A Group of | Michal Samama

Michal Samama is a choreographer whose works exist in the space between dance, theatre, and visual art. As part of the Creators Lab series that offers encounters with artists and explores creative processes, Sela presents Samama’s latest ensemble work, Group.
A Group Of is a documentary dance, built around some forty songs many of us grew up with, for better or for worse, evoking longing and revulsion. The piece returns to materials drawn from the collective's childhood experiences. Out of the joy of play and rhyme emerge the horror of the night, hidden and overtaken violence, contradictory ideas, and the solitude of the joint body. Like a compulsive thought that chases sleep as the children toss and turn, the piece is overtaken by practices of excess, obsessiveness, restlessness, and agitation. It is a collective work, in body, voice, word, and song.


Fear drifts through the air. We must be brave! We tease each other instead of crying. We are allowed to be cruel. Violence is part of the game. I dream that my mom is coming; I reach for her, but my hands hit the cold wall. I go back to sleep.
In the morning, the housemother flings open the windows, waking us with a shout: "One-two-three, on your feet!" We are her little company of soldiers. Standing, like leaves on a branch, in front of a row of sinks. I brush my teeth and hear a voice. We don't believe in God. But I still hear a voice. A voice speaks to me: "We survived another night!"  

 

Performers: Karmit Burian, Moshe Shechter Avshalom, Omer Uziel, Kim Teitelbaum, Keren Carmon, Isaac Chocron
 

StageTalk After the performance, a conversation with choreographer Michal Samama and the ensemble dancers will explore topics such as the kibbutz and collectivity, theatre and contemporary dance, the boundaries of the genre, and movement as language.
 

Artistic advisor: Tal Yahas
Text and vocal consultation: Hadas Pe’ery
Lighting: Tamar Orr
Costumes and production: Daria Efrat and Michal Samama
Outside eye: Darya Efrat
Graphic design: Miki Matlon

 

Through the singular language of Michal Samama, and the piercing, precise performance of six heartbroken performers, I was carried yesterday through a time tunnel back to my own childhood, connected, with terrifying force, to the childhood horrors of all children everywhere. Thank you for this. I thought of Maguy Marin, I thought of Hanoch Levin, I thought of my own life and the lives of everyone I love. - Iris Lana, dance scholar
Group of, Michal Samama’s new work, performed by her remarkable ensemble, once again lands a punch to the gut. Six performers who never separate for a moment throughout the entire piece, churning together all of our childhoods—the innocence, the stupidity, and the sorrow. I can’t stop thinking about it. Go see it. - Shelly Lieibowitz-Kalaora, curator


The entire work, as its title, a severed construct phrase, suggests, is haunted by ghosts. Scene after scene, phantom pains reappear, which the dancers attempt to soothe through a compulsive repetition of words, sentence fragments, or parts of familiar songs. The truncated sentences complete themselves, almost automatically, in a conditioned response that testifies to the power of Israeli collective conditioning. The immediacy of this response is physical; it bypasses consciousness and, in an instant, makes my own body a participant in the performance. Samama makes an exceptional formal choice, fusing the dancers throughout the work. - Ran Brown, Haaretz

 

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