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9.12.24
Monday
18:30

The Hackuarium: Strange Loops | Neta Moses

The 'Hackuarium,' the digital art and poetry lab situated in the lobby of the Michael Sela Auditorium, begins this year's exhibition program with a video work by media artist and computer scientist, Neta Moses.
Based in Jerusalem, Moses is a celebrated graduate of the multidisciplinary program in computer science and screen arts at the Hebrew University of Jerusalem and the Bezalel Academy of Art and Design. She is currently at a long-term artist residency at the Artists' Studios in Jerusalem while also contributing to neuro-research of decision-making processes at Tel Aviv University.
Netta’s works include video installations, performance, short films and lecture performances. She has gained recognition in exhibitions and film festivals both in Israel and internationally. Her short film “How To Be Alone” won the Experimental Cinema and Video Art competition at the Jerusalem Film Festival (2021). 
She was awarded the CLEVER scholarship for creative leadership from the EU, and the scholarship for excellence in video-art studies from the America-Israel Cultural Foundation. Her solo exhibition “Tears Become Rain” was recently on show this year at the Artists’ Studio gallery in Jerusalem.
The launch event will feature a joint viewing and conversation between the artist and the project curator, poet Alex Ben-Ari. 
Duration: approximately 45 minutes. 
Admission is free.
 

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20.2
Thursday
20:00

On Listening | Prof. David Harel, Prof. Ruth Kanner and the Ruth Kanner Theater Group

A scientist listens to the music of words. A woman of the theater listens to the scientist. The actors of the theater group listen to both and perform. 

A conversation and acting segments on the connection between hearing and listening, intention and understanding. 

Professor Ruth Kanner - a theater director and creator, who has developed a unique and groundbreaking stage language over the years, and Professor David Harel - Israel Prize recipient in 2004, former dean of the Department of Mathematics and Computer Science at the Weizmann Institute of Science, whose research deals with tools that help artificial intelligence listen, decode and interpret spoken text. 
The Ruth Kanner Theater Group – Since 1988, has been exploring processes on stage to deepen the means of expression in acting, movement, voice work, sound and visual images, stemming from deep listening to personal and artistic truth. 

Duration: approx. 1.5 hours.
 
24.2
Monday
20:00

The Property | Screening and dialog with Dana Modan

A journey full of secrets and deceptions, which begins with real estate issues but actually devotes itself to matters of the heart, in Dana Modan’s first film as director, based on a graphic novel with family autobiographical elements, written and illustrated by her sister, Rutu Modan.



Regina and her granddaughter Mika embark on a journey to Poland to reclaim their family property seized during World War II. 
But their quest quickly unravels. Regina unexpectedly decides to abandon the mission entirely, leaving Mika lost and confused. 
To complicate matters further, an irritating distant relative keeps appearing at every turn. Just as Mika finds herself falling for a charming tour guide, Regina seizes the opportunity to pursue her own hidden agenda: finding her long-lost love, from whom she was separated seventy years ago.

 

‘The Property’ blends the different and similar characteristics of the Modan sisters as creators, and echoes their previous works: on the one hand, the pull to an ironic gaze and to comic situations steeped in black humor, evident in the television series created by Dana (‘Love Hurts’, ‘Significant Other’, ‘Aviram Katz’), and on the other hand, a dreamy-melancholic atmosphere that characterizes Rutu’s stories and illustrations. Cinematographer Yaron Scharf does a good job of translating the visual perspective of the illustrator Modan into film, and also of capturing Warsaw in a way that blurs its past and its present into a uniform, theatrical time, which well serves the journey that the grandmother and granddaughter take down memory lane.” (Shani Litman, Haaretz)
 

StageTalk Following the screening, a conversation with the film director Dana Modan