Lotus Tickets:
Date:
12.12.24
Thursday
Hour: 21:00

THISISPAIN Hillel Kogan & Michal Nathan

Witty, funny, spectacular, a blend of dance, text, object theater, and above all, fun, play and lots of beauty.

"Western" art has been flirting for centuries with the exotic image of Spain. Hillel Kogan, a choreographer and dancer in the contemporary dance scene, visits the world of flamenco dance and music as a tourist, and holds a poignant dialog with a flamenco dancer and choreographer - Michal Natan - Around questions of national identity and artistic identity: what is Spanish and what is Israeli, what is Europeanness, what is folklore and what is high art. All this, while casting doubt on the concept of identity itself: in the spirit of queer theory that holds that identity is not an essence but rather a show, Kogan seeks to show Spanishness.

 

The works of Hillel Kogan (‘Appropriation’, Batsheva) combine dance, text and music in a multi-layered visual language moving between implicit and explicit criticism of the world of art, popular culture and contemporary society. Saturated with sarcastic, reflexive humor, the works expose dance as a political and social agent, mostly a critical observation of the ideologies hidden under the cloak of aesthetics and entertainment, of the artist's craft, and of the complex power relations between the artist and audience.

 

Choreography: Hillel Kogan, Dancers: Michal Natan and Hillel Kogan, Dramaturgy: Yael Venezia, Lighting Design: Nadav Barnea, Art Director: Leticia Bollo 
 

Launge Talk  

After the show, a dialog with the artists at Sela Bar 

 

Hillel Kogan has performed in dance troupes in Israel, Portugal and Switzerland; he has choreographed for groups in France, Portugal and Austria, and in Israel for the Batsheva Ensemble, and managed the Curtain Up festival in 2015-2016. His award-winning works are presented at festivals and on stages in Israel and around the world.

 

Michal Natan, the artistic and choreographic director of the Israeli flamenco group Compas.

 

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Date:
5.5
Monday
Hour: 20:00

The Quantum Age | Yair Assulin & Prof. Roee Ozeri

Yair Assulin will be speaking about quantum computing with Prof. Roee Ozeri, a physicist in the Department of Physics of Complex Systems at the Weizmann Institute of Science who researches cold atoms used to develop a universal quantum computer and for precision measurements (among other things). He also serves as Vice President for Resource Development and Communications. We will explore what quantum computing truly means, how close we are to its realization, and the significance of a non-binary world that lets us solve previously inaccessible problems, as well as highlight the opportunities, challenges, and questions it creates and the broader implications of this technological revolution. 

 

The discussion will be held in Hebrew  

Brave New World, Aldous Huxley’s 1932 futuristic novel, presents a chilling satirical vision of a utopian future in which humans are reproduced artificially and their emotions are sterilized through drugs so they will passively serve the government. In this world, war and disease have been eradicated at the cost of individuality, art, family, and love. The novel is considered one of the most influential futuristic masterpieces of the 20th century, coining terms that have become integral to socio-political discourse.
Today, at the dawn of the third millennium, we are living in a “Brave New World” filled with unimaginable advancements but also fear and danger. A world where “space” and “time” are fundamentally different from what we once knew; a world of new human consciousness. The Weizmann Institute is one of the places where this great era is developing, both through research and action. In a series of conversations, Yair Assulin will ask pioneering researchers in some of today’s most revolutionary fields (quantum computing, artificial intelligence, and evolution) to explore the major questions emerging from the various fields of research, the enormously relevant connection between science and the humanities in this era, and the new humanity emerging before our eyes.

 



Sponsored by the Braginsky Center for the Interface between Science and Humanities, with participation from the audience.
 

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